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Chintu Tyagi (Kartik Aaryan) is a standard Pati Patni bourgeoisie man from Kanpur. Who is married to Vedika Tripathi Bhumi Pednekar he’s bored. In his day to day life and finds comfort in Tapasya Singh. Ananya Panday a young dressmaker from Delhi. From the day she complimented him about his smile, Chintu finds himself drawn into Tapasyas.
Vedika learns about her husband’s infidelity but decides. To forgive him and provides him a second chance. Within the end she forgives him and that They reconcile thus living happily after. Pati Patni Chintu Tyagi is a standard bourgeoisie man who finds himself torn between. His wife and another woman. This cheating concept of comedy became old and cringy. Now it isn’t comedy to cheat it’s rather frustrating and hurtful.
It is a plus because 41 years on, the battle of the sexes – a legitimate. Theatrical genre hip since the Elizabethan era – that when passed muster. Without questions Pati Patni being asked is not any longer within the realm of the easily acceptable. Placed within the context of the stress of political correctitude.
From Hrishikesh Mukherjee’s Rang Birangi (1983) to David Dhawan’s Biwi No. All doubtless inspired, to varying degrees, by Billy Wilder’s The Seven-Year Itch. Where Monroe was cast as a enchantress married men have gotten away with infidelity on the large screen. On the other hand men in Hindi films escape and preen over with much worse – murder and mayhem, pillage and perversion. Women have a way harder time tiding over lesser lapses